artistspaid: mfs: four giants! never knew how they can all fit in just one frame!

The Kind of Blue sessions. John Coltrane, Cannonball Adderley, Miles Davis, Bill Evans.

artistspaid: mfs: four giants! never knew how they can all fit in just one frame!

The Kind of Blue sessions. John Coltrane, Cannonball Adderley, Miles Davis, Bill Evans.

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tracks:

Miles Davis - Bitches Brew.
booby4649: Miles Davis (via jazz matrix) Jim Marshall?

booby4649: Miles Davis (via jazz matrix) Jim Marshall?

dtybywl:bebelestrange:kanamit: miles davis ‘on the corner’ t-shirts by supreme



that’s what i’m talking about.

dtybywl:bebelestrange:kanamit: miles davis ‘on the corner’ t-shirts by supreme

that’s what i’m talking about.

thisrecording: this miles davis album made our top 20 albums of the year list in 1970 download here and here, you need both parts.

thisrecording: this miles davis album made our top 20 albums of the year list in 1970 download here and here, you need both parts.

dtybywl:reckon:tobia:gregenemy:(via abandonhope) this is the very picture that got me into Miles Davis when I was like 11

dtybywl:reckon:tobia:gregenemy:(via abandonhope) this is the very picture that got me into Miles Davis when I was like 11

Miles Davis: The Blue Note Records photography of Francis Wolff (via Mosaic Records)

Miles Davis: The Blue Note Records photography of Francis Wolff (via Mosaic Records)

davidgahr:

My wife was a folk music fan who befriended David when she was at a rock record company. She worked with him as often as possible, and when we married in 1994 she introduced me over the phone from California. I told David we’d worked for a minute together on an Earl “Fatha” Hines and John Lee Hooker reissue for Muse Records in the 70s; we both pretended to remember more than we did. But from that moment on, whenever David would send her a Dylan or Lennon print, he’d include a few for me too. His generosity always overwhelmed me, and his intuition too, like when he sent over this Miles shot that was used for the cover of “A Tribute to Jack Johnson.”
—Fred Seibert

davidgahr:

My wife was a folk music fan who befriended David when she was at a rock record company. She worked with him as often as possible, and when we married in 1994 she introduced me over the phone from California. I told David we’d worked for a minute together on an Earl “Fatha” Hines and John Lee Hooker reissue for Muse Records in the 70s; we both pretended to remember more than we did. But from that moment on, whenever David would send her a Dylan or Lennon print, he’d include a few for me too. His generosity always overwhelmed me, and his intuition too, like when he sent over this Miles shot that was used for the cover of “A Tribute to Jack Johnson.”

—Fred Seibert

Miles Davis: A Tribute to Jack Johnson